He was a founding member of Hyperopia Projects (2010 – 2018), headed the glass program at University of the Arts (2010 – 2017), and was an artist member of Vox Populi gallery (2012 – 2015). He has participated in residencies at Recycled Artist in Residence (RAIR), The MacDowell Colony, Wheaton Arts, Urban Glass, Vermont Studio Center, StarWorks, Pilchuck Glass School, GlazenHuis in Belgium, Rochester Institute of Technology, Radical Heart (Detroit), and Worcester Craft Center. The recipient of the 2012 International Glass Prize and 2019 Awesome Foundation Grant, Rosenberg was also awarded The Sheldon Levin Memorial Residency at the Tacoma Museum of Glass, A Windgate Fellowship at the Vermont Studio Center, The Esther & Harvey Graitzer Memorial Prize, UArts FADF Grant, and the deFlores Humor Fund Grant (MIT). His artistic practice is rooted in the study of glass as a material, in conjunction with broad interdisciplinary investigation crossing over into many other media and research areas. The artist pursues his practice though residencies, teaching, performances and exhibitions locally and internationally. Wrote Ben Dreith, for Nuvo: “Rosenberg’s preference for exploring glass’ possibilities for modulating light rather than straying into a heavy use of color gives his work an elegance appropriate for both the art gallery and the historical or interior design collector-putting him somewhere between mad scientist and aesthete.”Īn artist, educator and writer from Philadelphia, Pennsylvania, Rosenberg received a Master of Science in Visual Studies from MIT and a BFA in glass from Rhode Island School of Design. He capitalized on the material’s absence, allowing us to see the inside and outside of an object simultaneously. He won the first challenge and a Pilchuck residency with his Lachrymatory, a “tear-filled” vessel that magnified like a lens a photo of his late dog, Cleo. On Blown Away, Rosenberg often strayed into the realm of historical and scientific objects like beakers and containers for exotic plants. Glass is at once archaic and high tech – a mixture of poetry and functionality. This attention to the philosophy and historical detail of glass sets Rosenberg apart – not only on the show, but in his studio practice.
#ALEXANDER BLOWN AWAY SERIES#
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